Literary icon Julia Alvarez returns with an inventive and emotional novel about storytelling itself that will be an instant classic.

Alma Cruz, the celebrated writer at the heart of The Cemetery of Untold Stories, doesn't want to end up like her friend, a novelist who fought so long and hard to finish a book that it threatened her sanity. So when Alma inherits a small plot of land in the Dominican Republic, her homeland, she has the beautiful idea of turning it into a place to bury her untold stories—literally. She creates a graveyard for the manuscript drafts and revisions, and the characters whose lives she tried and failed to bring to life and who still haunt her.

Alma wants her characters to rest in peace. But they have other ideas, and the cemetery becomes a mysterious sanctuary for their true narratives. Filomena, a local woman hired as the groundskeeper, becomes a sympathetic listener as Alma's characters unspool their secret tales. Among them are Bienvenida, the abandoned second wife of dictator Rafael Trujillo, consigned to oblivion by history, and Manuel Cruz, a doctor who fought in the Dominican underground and escaped to the United States.

The characters defy their creator; they talk back to her and talk to one another behind her back, rewriting and revising themselves. The Cemetery of Untold Stories poses the question: Whose stories get to be told, and whose are buried? Finally, Alma finds the meaning she and her characters yearn for in the everlasting vitality of stories.

Readers of Isabel Allende's Violeta and Barbara Kingsolver's Demon Copperhead will devour Alvarez's extraordinary new novel about beauty and authenticity that reminds us the stories of our lives are never truly finished, even at the end.

An account of the emergence of creative nonfiction, written by the "godfather" of the genre. In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. Then he took on his colleagues. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction.

In this book, Gutkind tells the true story of how creative nonfiction became a leading genre for both readers and writers. Creative nonfiction--true stories enriched by relevant ideas, insights, and intimacies--offered liberation to writers, allowing them to push their work in freewheeling directions. The genre also opened doors to outsiders--doctors, lawyers, construction workers--who felt they had stories to tell about their lives and experiences.

Gutkind documents the evolution of the genre, discussing the lives and work of such practitioners as Joan Didion, Tom Wolfe, Norman Mailer, James Baldwin, Zora Neale Hurston, Rachel Carson, Upton Sinclair, Janet Malcolm, and Vivian Gornick. Gutkind also highlights the ethics of writing creative nonfiction, including how writers handle the distinctions between fact and fiction. Gutkind's book narrates the story not just of a genre but of the person who brought it to the forefront of the literary and journalistic world.