He was a fully grown man, alone in dense forest, with no trail to show where he had come from and no memory to tell who — or what — he was. His eyes were not the eyes of a human.

The forest people took him in and raised him almost as a child, teaching him to speak, training him in forest lore, giving him all the knowledge they had. But they could not solve the riddle of his past, and at last he had to set out on a perilous quest to Es Toch, the City of the Shining, the Liars of Earth, the Enemy of Mankind. There he would find his true self ... and a universe of danger.

The Earth colony of Landin has been stranded on Werel for ten years—and ten of Werel's years are over 600 terrestrial years. The lonely and dwindling human settlement is beginning to feel the strain. Every winter—a season that lasts for 15 years—the Earthmen have neighbors: the humanoid hilfs, a nomadic people who only settle down for the cruel cold spell.

The hilfs fear the Earthmen, whom they think of as witches and call the farborns. But hilfs and farborns have common enemies: the hordes of ravaging barbarians called gaals and eerie preying snow ghouls. Will they join forces or be annihilated?

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the spice melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for...

When House Atreides is betrayed, the destruction of Paul's family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad'Dib, he will bring to fruition humankind's most ancient and unattainable dream.

A stunning blend of adventure and mysticism, environmentalism and politics, Dune formed the basis of what is undoubtedly the grandest epic in science fiction.

Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, heir to a noble family tasked with ruling an inhospitable world where the only thing of value is the spice melange, a drug capable of extending life and enhancing consciousness. Coveted across the known universe, melange is a prize worth killing for...

When House Atreides is betrayed, the destruction of Paul's family will set the boy on a journey toward a destiny greater than he could ever have imagined. And as he evolves into the mysterious man known as Muad'Dib, he will bring to fruition humankind's most ancient and unattainable dream.

A stunning blend of adventure and mysticism, environmentalism and politics, Dune formed the basis of what is undoubtedly the grandest epic in science fiction.

Hopscotch is a novel by Julio Cortazar, translated by Gregory Rabassa, that revolutionized the narrative structure with its non-linear approach. The story follows Horacio Oliveira, an Argentinian writer living in Paris with his mistress, La Maga, amid a group of bohemian friends known as "the Club." After a series of personal tragedies, Oliveira returns to Buenos Aires, where his life takes a series of unexpected turns as he takes on various odd jobs.

The novel is famous for its unique structure, allowing readers to navigate through its chapters in a non-conventional order. This innovative layout mirrors the book’s thematic exploration of life's complexity and the search for meaning. Cortazar drew inspiration from a variety of sources, including Henry Miller's quest for truth, Daisetz Teitaro Suzuki's Zen Buddhism teachings, and the aesthetics of Modernist writers like Joyce. Additionally, the novel reflects influences from Surrealism, the French New Novel, jazz music, and New Wave Cinema.

Gregory Rabassa's translation of Hopscotch won the National Book Award in 1966, marking a significant moment for the recognition of translation in literature. Cortazar's approval of Rabassa's work led to the translator's collaboration with Gabriel García Márquez on One Hundred Years of Solitude, further cementing Rabassa's reputation as a master translator.

The Bell Jar is the only novel written by American poet Sylvia Plath. It chronicles the crack-up of Esther Greenwood: brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time.

Sylvia Plath masterfully draws the reader into Esther's breakdown with such intensity that Esther's insanity becomes completely real and even rational, as probable and accessible an experience as going to the movies. Such deep penetration into the dark and harrowing corners of the psyche is an extraordinary accomplishment and has made The Bell Jar a haunting American classic.

One Flew Over the Cuckoo's Nest is a novel that epitomizes the spirit of the sixties. Ken Kesey's extraordinary first novel is an exuberant, ribald, and devastatingly honest portrayal of the boundaries between sanity and madness.

Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electroshock therapy. But her regime is disrupted by the arrival of McMurphy—the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned.

It was a dark and stormy night. Out of this wild night, a strange visitor comes to the Murry house and beckons Meg, her brother Charles Wallace, and their friend Calvin O'Keefe on a most dangerous and extraordinary adventure—one that will threaten their lives and our universe. Meg Murray, her little brother Charles Wallace, and their mother are having a midnight snack on a dark and stormy night when an unearthly stranger appears at their door. He claims to have been blown off course, and goes on to tell them that there is such a thing as a "tesseract," which, if you didn't know, is a wrinkle in time.

Meg's father had been experimenting with time-travel when he suddenly disappeared. Will Meg, Charles Wallace, and their friend Calvin outwit the forces of evil as they search through space for their father? A Wrinkle in Time, winner of the Newbery Medal in 1963, is the story of the adventures in space and time of Meg, Charles Wallace, and Calvin O'Keefe (athlete, student, and one of the most popular boys in high school). They are in search of Meg's father, a scientist who disappeared while engaged in secret work for the government on the tesseract problem.

To Kill a Mockingbird is a timeless classic that delves into the heart of a sleepy Southern town, exposing the moral dilemmas that shake its foundation. First published in 1960 and awarded the Pulitzer Prize in 1961, Harper Lee's novel captures the essence of innocence and experience, kindness and cruelty, love and hatred, humor and pathos.

This compelling narrative is told through the eyes of a young girl named Scout, whose father, Atticus Finch, is a lawyer tasked with defending a black man unjustly accused of a terrible crime. Set against the backdrop of the mid-1930s Depression in Alabama, the story is a profound commentary on the virulent prejudice that plagues the town. Atticus's quiet heroism and the events that unfold challenge the conscience of a community steeped in hypocrisy and violence.

Lee herself described the book as a simple love story, yet it resonates with readers as much more—a reflection on human behavior and societal norms.

"The Grinch hated Christmas! The whole Christmas season! Now, please don't ask why. No one quite knows the reason." Dr. Seuss's small-hearted Grinch ranks right up there with Scrooge when it comes to the crankiest, scowling holiday grumps of all time.

For 53 years, the Grinch has lived in a cave on the side of a mountain, looming above the Whos in Whoville. The noisy holiday preparations and infernal singing of the happy little citizens below annoy him to no end. The Grinch decides this frivolous merriment must stop. His "wonderful, awful" idea is to don a Santa outfit, strap heavy antlers on his poor, quivering dog Max, construct a makeshift sleigh, head down to Whoville, and strip the chafingly cheerful Whos of their Yuletide glee once and for all.

Looking quite out of place and very disturbing in his makeshift Santa get-up, the Grinch slithers down chimneys with empty bags and steals the Whos' presents, their food, even the logs from their humble Who-fires. He takes the ramshackle sleigh to Mt. Crumpit to dump it and waits to hear the sobs of the Whos when they wake up and discover the trappings of Christmas have disappeared. Imagine the Whos' dismay when they discover the evil-doings of Grinch in his anti-Santa guise. But what is that sound? It's not sobbing, but singing!

Children simultaneously adore and fear this triumphant, twisted Seussian testimonial to the undaunted cheerfulness of the Whos, the transcendent nature of joy, and of course, the growth potential of a heart that's two sizes too small. This holiday classic is perfect for reading aloud to your favorite little Whos.

Have a ball with Dr. Seuss and the Cat in the Hat in this classic picture book... but don't forget to clean up your mess!

A dreary day turns into a wild romp when this beloved story introduces readers to the Cat in the Hat and his troublemaking friends, Thing 1 and Thing 2 – And don't forget Fish! A favorite among kids, parents, and teachers, this story uses simple words and basic rhyme to encourage and delight beginning readers.

Originally created by Dr. Seuss himself, Beginner Books are fun, funny, and easy to read. These unjacketed hardcover early readers encourage children to read all on their own, using simple words and illustrations. Smaller than the classic large format Seuss picture books like The Lorax and Oh, The Places You'll Go!, these portable packages are perfect for practicing readers ages 3-7, and lucky parents too!

Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.

The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.

Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.

The first novel in Isaac Asimov's classic science-fiction masterpiece, the Foundation series—For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future—to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years.

To preserve knowledge and save humankind, Seldon gathers the best minds in the Empire—both scientists and scholars—and brings them to a bleak planet at the edge of the galaxy to serve as a beacon of hope for future generations. He calls his sanctuary the Foundation.

The Foundation novels of Isaac Asimov are among the most influential in the history of science fiction, celebrated for their unique blend of breathtaking action, daring ideas, and extensive worldbuilding. In Foundation, Asimov has written a timely and timeless novel of the best—and worst—that lies in humanity, and the power of even a few courageous souls to shine a light in a universe of darkness.

The Illustrated Man is a collection of eighteen science fiction short stories by American writer Ray Bradbury. A recurring theme throughout the stories is the conflict of the cold mechanics of technology and the psychology of people. The book presents itself with an ingenious framework, opening and closing with a nameless narrator who meets the Illustrated Man—a wanderer whose entire body is a living canvas of exotic tattoos.

What's even more remarkable, and increasingly disturbing, is that the illustrations are themselves magically alive, each unfolding its own story. These tales explore a variety of themes, including virtual reality, stranded astronauts, and alien invasions, making the collection a marvelous quilt of science fiction, fantasy, and horror. The stories included in this collection were mostly written in the 1940s and 1950s, showcasing Bradbury's timeless talent for storytelling that will continue to captivate readers for generations to come.

I, Robot is a fixup novel of science fiction short stories or essays by American writer Isaac Asimov. The stories, which originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950, are woven together by a framing narrative. In this narrative, the fictional Dr. Susan Calvin tells each story to a reporter in the 21st century.

The stories share a theme of the interaction of humans, robots, and morality. Together, they tell a larger story of Asimov's fictional history of robotics. The collection explores profound questions such as: What is human? And is humanity obsolete?

Asimov's Three Laws of Robotics are central to the narrative:

1. A robot may not injure a human being or, through inaction, allow a human being to come to harm.

2. A robot must obey orders given to it by human beings except where such orders would conflict with the First Law.

3. A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.

These laws lay the foundation for a bold new era of evolution, opening up enormous possibilities—and unforeseen risks. As humans and robots struggle to coexist on Earth and in space, the future of both hangs in the balance. I, Robot not only changes our perception of robots but also challenges the timeless myth of man's dream to play god—with all its rewards and terrors.

Animal Farm is a brilliant political satire and a powerful and affecting story of revolutions and idealism, power, and corruption. 'All animals are equal. But some animals are more equal than others.' Mr. Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm.

Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.

When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.

Full of philosophical puzzles and supernatural surprises, these stories contain some of Borges's most fully realized human characters. With uncanny insight, he takes us inside the minds of an unrepentant Nazi, an imprisoned Mayan priest, fanatical Christian theologians, a woman plotting vengeance on her father’s “killer,” and a man awaiting his assassin in a Buenos Aires guest house. This volume also contains the hauntingly brief vignettes about literary imagination and personal identity collected in The Maker, which Borges wrote as failing eyesight and public fame began to undermine his sense of self.

A pilot stranded in the desert awakes one morning to see, standing before him, the most extraordinary little fellow. "Please," asks the stranger, "draw me a sheep." And the pilot realizes that when life's events are too difficult to understand, there is no choice but to succumb to their mysteries. He pulls out pencil and paper... And thus begins this wise and enchanting fable that, in teaching the secret of what is really important in life, has changed forever the world for its readers.

Few stories are as widely read and as universally cherished by children and adults alike as The Little Prince. It will capture the hearts of readers of all ages.

Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history's keenest observers of human nature and civilization.

Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New World also speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites.

“Aldous Huxley is the greatest 20th century writer in English.” —Chicago Tribune

Un mundo feliz es un clásico de la literatura del siglo XX, una sombría metáfora sobre el futuro. La novela describe un mundo en el que finalmente se han cumplido los peores vaticinios: triunfan los dioses del consumo y la comodidad y el orbe se organiza en diez zonas en apariencia seguras y estables. Sin embargo, este mundo ha sacrificado valores humanos esenciales, y sus habitantes son procreados in vitro a imagen y semejanza de una cadena de montaje.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.

Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.

Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.

Nursery magic is very strange and wonderful, and only those playthings that are old and wise and experienced like the Skin Horse understand all about it. Like the Skin Horse, Margery Williams understood how toys—and people—become real through the wisdom and experience of love.

The Velveteen Rabbit, or How Toys Become Real, is not just a tale about a stuffed rabbit's wish to become real, but it's also a story that celebrates the power of love and the value of enduring and nurturing relationships.

'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.

Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.

Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.