Measure for Measure is among the most passionately discussed of Shakespeare’s plays. In it, a duke temporarily removes himself from governing his city-state, deputizing a member of his administration, Angelo, to enforce the laws more rigorously.
Angelo chooses as his first victim Claudio, condemning him to death because he impregnated Juliet before their marriage. Claudio’s sister Isabella, who is entering a convent, pleads for her brother’s life. Angelo attempts to extort sex from her, but Isabella preserves her chastity.
The duke, in disguise, eavesdrops as she tells her brother about Angelo’s behavior, then offers to ally himself with her against Angelo.
Modern responses to the play show how it can be transformed by its reception in present culture to evoke continuing fascination. To some, the duke (the government) seems meddlesome; to others, he is properly imposing moral standards. Angelo and Isabella’s encounter exemplifies sexual harassment. Others see a woman’s right to control her body in Isabella’s choice between her virginity and her brother’s life.
Man and Superman is a powerful drama of ideas by George Bernard Shaw, first written in 1901. Shaw intended to encapsulate the new century's intellectual inheritance by drawing inspiration from a wide range of sources, including Byron's verse satire, Shakespeare, and authors such as Conan Doyle and Kipling.
The play explores the role of the artist, the function of women in society, and Shaw's theory of Creative Evolution. It is a satirical and buoyant exposé of the eternal struggle between the sexes, combining seriousness with comedy. The drama follows the story of Ann Whitefield, who becomes the joint ward of two men: the respectable Roebuck Ramsden and John Tanner, author of "The Revolutionist’s Handbook." Believing marriage would prevent him from achieving his higher intellectual and political ambitions, Tanner is horrified to discover that Ann intends to marry him. He flees to Spain, with the determined young woman in hot pursuit.
The chase leads them to the underworld, where the characters’ alter egos engage in a lively debate on human nature and philosophy in a scene often performed separately as "Don Juan in Hell." Shaw combines elements of comedy and serious philosophical discourse to create a work that remains a classic of twentieth-century English theatre.
Christopher and Cathy have made a loving home for their handsome and talented teenager Jory, their imaginative nine-year-old Bart, and a sweet baby daughter. Then an elderly woman and her strange butler move in next door. The Old Woman in Black watches from her window, lures lonely Bart inside with cookies and ice cream, and asks him to call her “grandmother.”
Slowly Bart transforms, each visit pushing him closer to the edge of madness and violence, while his anguished parents can only watch. For Cathy and Chris, the horrors of the past have come home…and everything they love may soon be torn from them.
La Regenta is a masterpiece penned by Leopoldo Alas, also known as "Clarín". This novel paints a vivid picture of the bourgeois and urban society, dominated by a decadent nobility, selfish clergy, and political bosses.
The story revolves around Ana Ozores, a representative of this society, caught in the throes of seduction and adultery. Influenced by the naturalist school rooted in Zola and Maupassant, yet still tied to romantic arguments, this work is heralded as the best novel of 19th-century Spain.
Set in the conservative provincial town of Vetusta, Ana, married to a retired magistrate, seeks fulfillment through religion and even adultery. This quest sparks a bitter conflict between a powerful priest and a would-be Don Juan for Ana's body and soul, offering a searing critique of the Church and a frank treatment of societal norms.