Abbie Keller thought that Richard Bartholemew Benson the Third would be her forever. In their four years of dating, she never doubted that she wouldn't end up with his grandmother's engagement ring on her finger. Sure, she had to change a few things about herself to fit that mold, like dying her hair, dressing more conservatively, and finding golf enjoyable (honestly the most difficult of the changes), but she was sure that at the end of it all, it would be worth it. That is, until he leaves her crying outside her apartment wearing a Halloween costume, having broken it off with her because she's just not serious enough.

So she does what every girl does when she's broken up with: she calls her friends, gets drunk, dyes her hair, and formulates her plan for revenge. It just so happens that the universe supports her efforts and gives her the perfect match to prove to her ex that he made a huge mistake: his boss. But when the relationship starts to become something more than casual dating and Abbie sees that the tough New York lawyer has a soft side, will she be able to follow through with her plan of deceit?

Small Things Like These is award-winning author Claire Keegan's landmark new novel, a tale of one man's courage and a remarkable portrait of love and family.

It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man, faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church.

Already an international bestseller, Small Things Like These is a deeply affecting story of hope, quiet heroism, and empathy from one of our most critically lauded and iconic writers.

"The Grinch hated Christmas! The whole Christmas season! Now, please don't ask why. No one quite knows the reason." Dr. Seuss's small-hearted Grinch ranks right up there with Scrooge when it comes to the crankiest, scowling holiday grumps of all time.

For 53 years, the Grinch has lived in a cave on the side of a mountain, looming above the Whos in Whoville. The noisy holiday preparations and infernal singing of the happy little citizens below annoy him to no end. The Grinch decides this frivolous merriment must stop. His "wonderful, awful" idea is to don a Santa outfit, strap heavy antlers on his poor, quivering dog Max, construct a makeshift sleigh, head down to Whoville, and strip the chafingly cheerful Whos of their Yuletide glee once and for all.

Looking quite out of place and very disturbing in his makeshift Santa get-up, the Grinch slithers down chimneys with empty bags and steals the Whos' presents, their food, even the logs from their humble Who-fires. He takes the ramshackle sleigh to Mt. Crumpit to dump it and waits to hear the sobs of the Whos when they wake up and discover the trappings of Christmas have disappeared. Imagine the Whos' dismay when they discover the evil-doings of Grinch in his anti-Santa guise. But what is that sound? It's not sobbing, but singing!

Children simultaneously adore and fear this triumphant, twisted Seussian testimonial to the undaunted cheerfulness of the Whos, the transcendent nature of joy, and of course, the growth potential of a heart that's two sizes too small. This holiday classic is perfect for reading aloud to your favorite little Whos.

The Catcher in the Rye is an all-time classic in coming-of-age literature—an elegy to teenage alienation, capturing the deeply human need for connection and the bewildering sense of loss as we leave childhood behind. It's Christmas time, and Holden Caulfield has just been expelled from yet another school.

Fleeing the crooks at Pencey Prep, he pinballs around New York City seeking solace in fleeting encounters—shooting the bull with strangers in dive hotels, wandering alone around Central Park, getting beaten up by pimps, and cut down by erstwhile girlfriends. The city is both beautiful and terrible, in all its neon loneliness and seedy glamour, with a mingled sense of possibility and emptiness. Holden passes through it like a ghost, thinking always of his kid sister Phoebe, the only person who really understands him, and his determination to escape the phonies and find a life of true meaning.

J.D. Salinger's classic novel of teenage angst and rebellion was first published in 1951. The novel has been frequently challenged in court for its liberal use of profanity and portrayal of sexuality and was the book that every teenage boy wanted to read in the 1950s and 60s.

Twelfth Night, named for the twelfth night after Christmas, marks the end of the festive season and sets the stage for a romantic comedy of love and power. The play introduces us to the Countess Olivia, an independent woman in charge of her own household, who captures the attention of Duke Orsino. Her other suitors include her pompous steward, Malvolio, and the foppish Sir Andrew Aguecheek.

Amidst this tangled web of unrequited love arrives the shipwrecked twins, Viola and Sebastian, each believing the other to be dead. Viola, disguised as a boy, enters the service of the Duke, becoming his emissary to Olivia—and unexpectedly becoming the object of Olivia's affection. As the story unfolds, the play delves into the complexity of love and the joyful resolution of mistaken identities and romantic entanglements.