In Reclaiming the Discarded, Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice.

Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.

Zones of social abandonment are emerging everywhere in Brazil's big cities—places like Vita, where the unwanted, the mentally ill, the sick, and the homeless are left to die. This haunting, unforgettable story centers on a young woman named Catarina, increasingly paralyzed and said to be mad, living out her time at Vita.

Anthropologist João Biehl leads a detective-like journey to know Catarina; to unravel the cryptic, poetic words that are part of the "dictionary" she is compiling; and to trace the complex network of family, medicine, state, and economy in which her abandonment and pathology took form. As Biehl painstakingly relates Catarina's words to a vanished world and elucidates her condition, we learn of subjectivities unmade and remade under economic pressures, pharmaceuticals as moral technologies, a public common sense that lets the unsound and unproductive die, and anthropology's unique power to work through these juxtaposed fields.

Vita's methodological innovations, bold fieldwork, and rigorous social theory make it an essential reading for anyone who is grappling with how to understand the conditions of life, thought, and ethics in the contemporary world.

Teresa Caldeira's pioneering study of fear, crime, and segregation in S�o Paulo poses essential questions about citizenship and urban change in contemporary democratic societies. Focusing on S�o Paulo, and using comparative data on Los Angeles, she identifies new patterns of segregation developing in these cities and suggests that these patterns are appearing in many metropolises.

The book provides a brilliant analysis of the dynamics of urban fear and its impact on the city's geography. Caldeira's work is recognized for its theoretical boldness, rich ethnography, and specific historical insights. It addresses the many challenges and obstacles that government and civil society face in new democracies, shedding light on authoritarian continuity under political reform.