Mine has been a life of much shame. I can't even guess myself what it must be to live the life of a human being. Plagued by a maddening anxiety, the terrible disconnect between his own concept of happiness and the joy of the rest of the world, Yozo Oba plays the clown in his dissolute life, holding up a mask for those around him as he spirals ever downward, locked arm-in-arm with death.

Osamu Dazai's immortal—and supposedly autobiographical—work of Japanese literature, is perfectly adapted here into a manga by Junji Ito. The imagery wrenches open the text of the novel one line at a time to sublimate Yozo's mental landscape into something even more delicate and grotesque. This is the ultimate in art by Ito, proof that nothing can surpass the terror of the human psyche.

Eudora Welty’s Photographs, originally published in 1989, serves as the definitive book of the critically acclaimed writer’s photographs. Her camera’s viewfinder captured deep compassion and her artist’s sensibilities.

Photographs is a deeply felt documentation of 1930s Mississippi taken by a keenly observant photographer who showed the human side of her subjects. Also included in the book are pictures from Welty’s travels to New York, New Orleans, South Carolina, Mexico, and Europe in the 1930s, ’40s, and ’50s.

The photographs in this edition are new digital scans of Welty’s original negatives and authentic prints, restoring the images to their original glory. It also features sixteen additional images, several of which were selected by Welty for her 1936 photography exhibit in New York City and have never before been reproduced for publication.

The book includes a resonant, new foreword by Pulitzer Prize-winning writer and Mississippi native Natasha Trethewey.

Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she—or anyone—saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.

Now a rising star in the New York art scene, Emma turns her past into paintings—massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends.

Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins.

As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price.

Illuminations: Essays and Reflections offers a collection of essays and reflections from one of the twentieth century’s most original cultural critics, Walter Benjamin. This volume is introduced by Hannah Arendt, providing a substantial and admirably informed context that presents Benjamin's personality and intellectual development, as well as his work and life in dark times.

Within this volume, Benjamin shares his views on Kafka, with whom he felt a close personal affinity. His studies also cover Baudelaire and Proust, both of whom he translated, and his essays on Leskov and on Brecht's Epic Theater.

Also included are his penetrating study on The Work of Art in the Age of Mechanical Reproduction, an illuminating discussion of translation as a literary mode, and his theses on the philosophy of history.

Hannah Arendt selected the essays for this volume, introducing them with a classic essay about Benjamin’s life in a dark historical era. Additionally, Leon Wieseltier’s preface explores Benjamin’s continued relevance for our times.