Broughtupsy is an enthralling debut novel that captures the cinematic yet intimate journey of a young Jamaican woman, Akúa, as she grapples with grief and the elusive concept of home.

Tired of feeling unmoored, twenty-year-old Akúa travels from Canada to Jamaica to seek a connection with her estranged sister Tamika following the death of their younger brother Bryson from sickle cell anemia—the same disease that claimed their mother ten years earlier. Akúa's mission is to spread Bryson's ashes and rekindle familial bonds.

During two pivotal weeks, the sisters revisit childhood haunts, revealing the chasm between them and the cultural distance Akúa has traversed. Struggling with her identity, she repeatedly questions, "Am I Jamaican?" Beneath these doubts simmer anger and abandonment issues, manifesting in the unasked question, "Why didn’t you stay with me?"

As Akúa disperses her brother's ashes around Kingston, she encounters Jayda, a bold stripper who introduces her to an alternate side of the city. Their growing closeness forces Akúa to face the harsh realities of being gay in a devoutly religious family and the broader implications of being a gay woman in Jamaica.

Broughtupsy weaves a narrative that is part family saga, part coming-of-age story, and part exploration of sexual identity. It is a profound narrative that delves into the complexities of family obligations and the lengths one will go to experience the essence of home.

Disorientation by Elaine Hsieh Chou is an outrageously hilarious and startlingly tender debut novel that captures a Taiwanese American woman's coming-of-consciousness amid chaos on a college campus.

Twenty-nine-year-old PhD student Ingrid Yang is on a mission to finish her dissertation on the late canonical poet Xiao-Wen Chou and move away from reading about 'Chinese-y' things. However, years of grueling research have left her with nothing but a junk food addiction and stomach pain. When Ingrid stumbles upon a curious note in the Chou archives, she believes she's found her escape from academic hell. But she's about to discover she's in over her head. Her attempts to decipher the note's message lead to a shocking revelation that turns her academic life and her understanding of the world outside upside down.

Joined by her friend Eunice Kim and pursued by her rival Vivian Vo, Ingrid finds herself on a wild ride of mishaps and misadventures, ranging from book burnings and hallucinations to protests and propaganda. As Ingrid's life spirals out of control, she begins to question her relationships with white men and white institutions, and ultimately, she must confront herself.

Disorientation is a searing satire of privilege and power in America, a deep dive into personal complicity, and a compelling story of unspoken rage. Elaine Hsieh Chou presents a provocative question: Who gets to tell our stories, and how does the narrative shift when we take the reins?

White Fragility is an in-depth exploration of the counterproductive reactions white people exhibit when their assumptions about race are challenged. This phenomenon, known as white fragility, is characterized by a variety of emotions and behaviors, such as anger, fear, guilt, argumentation, and silence, which serve to reinstate white racial equilibrium and obstruct meaningful cross-racial dialogue.

Anti-racist educator Dr. Robin DiAngelo delves into the development of white fragility, how it upholds racial inequality, and provides insights on how to engage in more constructive conversations about race. Through this examination, DiAngelo sheds light on the societal and individual patterns that contribute to the persistence of racial tension and inequality.