Six students at Blackwood Academy, an enigmatic boarding school located at the edge of the afterlife, must compete for the once-in-eternity chance to change their fate—or risk remaining stuck in purgatory forever. An unputdownable debut full of hairpin twists, shock betrayals, and world-defying love.

Welcome to Blackwood Academy: the legendary school located at the fringes of the afterlife, where students are fated to spend the rest of eternity shepherding lost souls. Once a pupil enters the school’s arched gates, there is no way out…except for the Decennial, a once-in-a-decade celebration that rewards nominees who pass its trials with a choice: formally graduate and join Blackwood’s magical elite, or venture into the unknown and cross over to the mysterious Other Side.

Wren Loughty is certain that this Decennial, she has what it takes to earn the nomination—unless, that is, her academic archrival Augustine Hughes steals her spot.

Irene Manette Bamford has never cared about playing by the rules. She’s willing to break whatever (and whoever) stands between her and getting the hell out of Blackwood, including her best and only friend, Masika Sallow.

Olivier Dupont gave up on securing the nomination ages ago. But after he meets Blackwood’s newest student, Emilio Córdova, he’ll do anything to keep Emilio from leaving him and crossing over to the Other Side—even if it means claiming the victory for himself.

All of them are determined to be Blackwood’s chosen candidate–and all of them would do anything to win. But none of them are prepared for what’s to come. Because this Decennial will be different. This time, the Decennial isn’t a celebration…it’s a competition. And there can only be one victor.

Six nominees. Four trials. Untold danger. Wren, August, Irene, Masika, Olivier, and Emilio are about to learn: there are some fates worse than death.

Now I lay me down to sleep,
I pray the Lord my soul to keep.
And if I should die before I awake,
I pray the popular attend my wake.

Charlotte Usher feels practically invisible at school, and then one day she really is invisible. Even worse: she's dead. And all because she choked on a gummy bear. But being dead doesn't stop Charlotte from wanting to be popular; it just makes her more creative about achieving her goal.

If you thought high school was a matter of life or death, wait till you see just how true that is. In this satirical, yet heartfelt novel, Hurley explores the invisibility we all feel at some times and the lengths we'll go to be seen.

Sidney Scofield and Alexandra Deveaux spent the first thirty years of their lives not feeling the necessity of being someone's other half. That changed dramatically the moment they met—they knew!

From Colorado to Maryland to Ireland—the magic prevailed. Not even death could stop them from being together. She waited for him. He waited for her.

Matt and Misha would be sad when they arrived but if only they knew the beauty of it.

What happens to us after we die? Chris Nielsen had no idea, until an unexpected accident cut his life short, separating him from his beloved wife, Annie. Now Chris must discover the true nature of life after death.

But even Heaven is not complete without Annie, and when tragedy threatens to divide them forever, Chris risks his very soul to save Annie from an eternity of despair.

Richard Matheson's powerful tale of life---and love---after death was the basis for the Oscar-winning film starring Robin Williams.

From Slapstick's "Turkey Farm" to Slaughterhouse-Five's eternity in a Tralfamadorean zoo cage with Montana Wildhack, the question of the afterlife never left Kurt Vonnegut's mind.

In God Bless You, Dr. Kevorkian, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In thirty odd "interviews," Vonnegut trips down "the blue tunnel to the pearly gates" in the guise of a roving reporter for public radio, conducting interviews: with Salvatore Biagini, a retired construction worker who died of a heart attack while rescuing his schnauzer from a pit bull, with John Brown, still smoldering 140 years after his death by hanging, with William Shakespeare, who rubs Vonnegut the wrong way, and with socialist and labor leader Eugene Victor Debs, one of Vonnegut's personal heroes.

What began as a series of ninety-second radio interludes for WNYC, New York City's public radio station, evolved into this provocative collection of musings about who and what we live for, and how much it all matters in the end.

From the original portrait by his friend Jules Feiffer that graces the cover, to a final entry from Kilgore Trout, God Bless You, Dr. Kevorkian remains a joy.

Les jeux sont faits is a captivating novel by Jean-Paul Sartre, exploring the complexities of love and betrayal beyond the grave. The story begins with a chilling conversation:

- Il m'a empoisonnée ?
- Eh oui, madame.
- Mais pourquoi ? pourquoi ?
- Vous le gêniez, répond la vieille dame. Il a eu votre dot. Maintenant il lui faut celle de votre sœur.

Ève, overwhelmed by the betrayal, murmurs in despair:

- Et Lucette est amoureuse de lui !

The old lady offers her condolences with a touch of irony:

- Toutes mes condoléances... Mais voulez-vous me donner une signature ?

Ève, in a state of shock, signs the register, marking her official death. The old lady's parting words resonate with eerie freedom:

- Parfait, conclut la vieille dame. Vous voilà morte officiellement.
- Mais où faut-il que j'aille ?
- Où vous voudrez. Les morts sont libres.

This novel delves into existential themes, questioning the nature of freedom and the afterlife, set against a backdrop of Sartre's philosophical insights.