Chloe Brown is a chronically ill computer geek with a goal, a plan, and a list. After almost—but not quite—dying, she's come up with seven directives to help her Get a Life, and she's already completed the first: finally moving out of her glamorous family's mansion. The next items?

• Enjoy a drunken night out.
• Ride a motorcycle.
• Go camping.
• Have meaningless but thoroughly enjoyable sex.
• Travel the world with nothing but hand luggage.
• And... do something bad.

But it's not easy being bad, even when you've written step-by-step guidelines on how to do it correctly. What Chloe needs is a teacher, and she knows just the man for the job.

Redford 'Red' Morgan is a handyman with tattoos, a motorcycle, and more sex appeal than ten-thousand Hollywood heartthrobs. He's also an artist who paints at night and hides his work in the light of day, which Chloe knows because she spies on him occasionally. Just the teeniest, tiniest bit.

But when she enlists Red in her mission to rebel, she learns things about him that no spy session could teach her. Like why he clearly resents Chloe's wealthy background. And why he never shows his art to anyone. And what really lies beneath his rough exterior…

'You look the type to break your father’s heart.'

'Yeah, but he broke mine first.'

When Rosie Gennaro first meets Jimmy Hailler, she has walked away from life in Sydney, leaving behind the place on Dalhousie that her father, Seb, painstakingly rebuilt for his family but never saw completed. Two years later, Rosie returns to the house and living there is Martha, whom Seb Gennaro married less than a year after the death of Rosie’s mother. Martha is struggling to fulfil Seb’s dream, while Rosie is coming to terms with new responsibilities.

And so begins a stand-off between two women who refuse to move out of the home they both lay claim to. As the battle lines are drawn, Jimmy Hailler re-enters Rosie’s life. Having always watched other families from the perimeters, he’s now grappling, heartbreakingly, with forming one of his own.

An unforgettable story about losing love and finding love; about the interconnectedness of lives and the true nature of belonging, from one of our most acclaimed writers.

Maddie and Theo have two things in common:

• Alexa is their best friend
• They hate each other

After an "Oops, we made a mistake" kiss, neither one can stop thinking about the other. With Alexa's wedding rapidly approaching, Maddie and Theo both share bridal party responsibilities that require more interaction with each other than they're comfortable with. Underneath the sharp barbs they toss at each other is a simmering attraction that won't fade. It builds until they find themselves sneaking off together to release some tension when Alexa isn't looking.

But as with any engagement with a nemesis, there are unspoken rules that must be abided by. First and foremost, don't fall in love.

'In the first minute following her death, Tequila Leila's consciousness began to ebb, slowly and steadily, like a tide receding from the shore. Her brain cells, having run out of blood, were now completely deprived of oxygen. But they did not shut down. Not right away...'

For Leila, each minute after her death brings a sensuous memory: the taste of spiced goat stew, sacrificed by her father to celebrate the long-awaited birth of a son; the sight of bubbling vats of lemon and sugar which the women use to wax their legs while the men attend mosque; the scent of cardamom coffee that Leila shares with a handsome student in the brothel where she works. Each memory, too, recalls the friends she made at each key moment in her life - friends who are now desperately trying to find her.

Tiffy and Leon share an apartment. Tiffy and Leon have never met.

After a bad breakup, Tiffy Moore needs a place to live. Fast. And cheap. But the apartments in her budget have her wondering if astonishingly colored mold on the walls counts as art.

Desperation makes her open-minded, so she answers an ad for a flatshare. Leon, a night shift worker, will take the apartment during the day, and Tiffy can have it nights and weekends. He'll only ever be there when she's at the office. In fact, they'll never even have to meet.

Tiffy and Leon start writing each other notes—first about what day is garbage day, and politely establishing what leftovers are up for grabs, and the evergreen question of whether the toilet seat should stay up or down. Even though they are opposites, they soon become friends. And then maybe more.

But falling in love with your roommate is probably a terrible idea…especially if you've never met.

Anxious People is a poignant comedy about a crime that never took place and a would-be bank robber who disappears into thin air. It cleverly weaves together the lives of eight extremely anxious strangers who find they have more in common than they ever imagined.

The narrative unfolds at an apartment open house that becomes a life-or-death situation when the failed bank robber takes everyone hostage. The hostages include a retired couple addicted to home renovations, a wealthy banker too busy to care for others, a young couple expecting their first child and struggling with agreement, and an octogenarian unafraid of a gunpoint threat. With each character harboring secrets and grievances, they all crave some form of rescue.

Surrounded by authorities and media, these strangers reveal surprising truths about themselves. Humorous, compassionate, and wise, Anxious People explores the power of friendship, forgiveness, and hope in the most anxious of times.

In an American suburb in the early 1980s, students at a highly competitive performing arts high school struggle and thrive in a rarified bubble, ambitiously pursuing music, movement, Shakespeare, and, particularly, their acting classes. When within this striving “Brotherhood of the Arts,” two freshmen, David and Sarah, fall headlong into love, their passion does not go unnoticed—or untoyed with—by anyone, especially not by their charismatic acting teacher, Mr. Kingsley.

The outside world of family life and economic status, of academic pressure and of their future adult lives, fails to penetrate this school’s walls—until it does, in a shocking spiral of events that catapults the action forward in time and flips the premise upside-down. What the reader believes to have happened to David and Sarah and their friends is not entirely true—though it's not false, either. It takes until the book’s stunning coda for the final piece of the puzzle to fall into place—revealing truths that will resonate long after the final sentence.

As captivating and tender as it is surprising, Susan Choi's Trust Exercise will incite heated conversations about fiction and truth, and about friendships and loyalties, and will leave readers with wiser understandings of the true capacities of adolescents and of the powers and responsibilities of adults.

Queenie is a disarmingly honest, boldly political, and truly inclusive novel that speaks to anyone who has gone looking for love and found something very different in its place.

Queenie Jenkins is a twenty-five-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she's constantly forced to compare herself to her white middle class peers. After a messy break up from her long-term white boyfriend, Queenie seeks comfort in all the wrong places—including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.

As Queenie careens from one questionable decision to another, she finds herself wondering, "What are you doing? Why are you doing it? Who do you want to be?"—all of the questions today's woman must face in a world trying to answer them for her.

With fresh and honest prose, Queenie is a remarkably relatable exploration of what it means to be a modern woman searching for meaning in today's world.

The Huntress, by Kate Quinn, is a historical fiction narrative that intricately weaves the paths of a battle-haunted English journalist and a fearless Russian female bomber pilot with an extensive objective: to track down a Nazi war criminal hiding in America.

Nina Markova, fueled by her dreams to fly, joins the legendary Night Witches—an all-female night bomber regiment during World War II. Her survival and courage are tested when a disastrous encounter with the Huntress, a lethal Nazi murderess, puts her life on the line. In a surprising twist of fate, the hunter becomes the hunted.

Meanwhile, Ian Graham, a journalist who has seen the horrors of war, is on a mission to seek justice. He partners with Nina to find the elusive Huntress, but to succeed in their quest, both must confront a shared secret that could derail everything.

In post-war Boston, young Jordan McBride's aspirations to become a photographer are met with a wave of skepticism when her father brings home a new German fiancée. Suspicions about her stepmother's past set Jordan on a troubling path that might unbury secrets too dangerous to confront.

Kate Quinn offers a story of grit, suspense, and the relentless pursuit of justice.

Las heroínas de Perras de reserva son mujeres fuertes, decididas a resolver por sí mismas sus problemas porque saben que si con algo no pueden contar es con la ayuda de Dios. Como mucho, se encomiendan al Diablo, ya que ante la perspectiva de convertirse en víctimas –usadas, explotadas o muertas– prefieren optar por la sangre ajena. Como Yuliana, la macabramente entrañable heredera al trono de un capo del narcotráfico, que no va a aceptar que sus compañeras de escuela se burlen de su look. O la adolescente que antes de dejarse arrinconar por la pobreza y el hambre se vuelve una malandrina de calle con principios, que solo desvalija a gente bien. O la bruja que recurre al Señor de las Tinieblas para que le ayude con la vecina cuyos perros hacen sus necesidades en su patio.

Sean sicarias o universitarias, influencers o amas de casa, beatas o prostitutas, las memorables protagonistas de estos relatos comparten las dificultades y los peligros derivados de haber nacido mujer.

Con un talento desbordante para reflejar el habla de la calle y no pocas dosis de humor negro, la autora mexicana Dahlia de la Cerda nos recuerda en este genial libro que «la vida es una perra, por eso hay que patearle la jaula».