From the #1 New York Times bestselling author of The Seven Husbands of Evelyn Hugo and Daisy Jones & The Six comes an epic new novel set against the backdrop of the 1980s Space Shuttle program about the extraordinary lengths we go to live and love beyond our limits.

Joan Goodwin has been obsessed with the stars for as long as she can remember. Thoughtful and reserved, Joan is content with her life as a professor of physics and astronomy at Rice University and as aunt to her precocious niece, Frances. That is, until she comes across an advertisement seeking the first women scientists to join NASA’s Space Shuttle program. Suddenly, Joan burns to be one of the few people to go to space.

Selected from a pool of thousands of applicants in the summer of 1980, Joan begins training at Houston’s Johnson Space Center, alongside an exceptional group of fellow candidates: Top Gun pilot Hank Redmond and scientist John Griffin, who are kind and easy-going even when the stakes are highest; mission specialist Lydia Danes, who has worked too hard to play nice; warm-hearted Donna Fitzgerald, who is navigating her own secrets; and Vanessa Ford, the magnetic and mysterious aeronautical engineer, who can fix any engine and fly any plane.

As the new astronauts become unlikely friends and prepare for their first flights, Joan finds a passion and a love she never imagined. In this new light, Joan begins to question everything she thinks she knows about her place in the observable universe.

Then, in December of 1984, on mission STS-LR9, everything changes in an instant.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting readers to iconic times and places, with complex protagonists, telling a passionate and soaring story about the transformative power of love, this time among the stars.

Andy, Dag and Claire have been handed a society beyond their means. Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fallout of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X. Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working in no future McJobs in the service industry. Underemployed, overeducated and intensely private and unpredicatable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories: disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposible Swedish furniture.

Hope lives in an alternative Trenton, New Jersey of the 1980s where radioactive cats, congenital tattoos, biker angels, cocky fairy godmothers, and the determination to survive another day are all that stand between her family and the creeping chemical forces of LoboChem, a manufacturer willing to destroy all that is beautiful for the sake of a profit.

Magic America is a story about coming of age in fluorescent, urbo-suburban, magic-realism America. Dust off your Wigwams and your high-tops, your banana clips and Aquanet, for a trip through the streets and skies of a Garden State where love triumphs over fear, faith is what you die with, and family is who you ride with.

Silver Sparrow opens with the intriguing line, “My father, James Witherspoon, is a bigamist.” Author Tayari Jones masterfully unveils a breathtaking story about deception, familial complicity, and the complex lives of two teenage girls caught in the middle.

Set in a middle-class neighborhood in Atlanta during the 1980s, the novel revolves around James Witherspoon’s two families—the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. This relationship is destined to explode as secrets unravel.

At the heart of this novel are the two girls navigating their intertwined lives, searching for love, demanding attention, and trying to imagine themselves as women. Jones portrays their fragility and strength with raw authenticity, creating a soulful story of friendship and sisterhood that paints an unforgettable picture of the messy knots that bind families together.

Set in Los Angeles in the early 1980's, this coolly mesmerizing novel is a raw, powerful portrait of a lost generation who have experienced sex, drugs, and disaffection at too early an age, in a world shaped by casual nihilism, passivity, and too much money—a place devoid of feeling or hope.

Clay comes home for Christmas vacation from his Eastern college and re-enters a landscape of limitless privilege and absolute moral entropy, where everyone drives Porsches, dines at Spago, and snorts mountains of cocaine. He tries to renew feelings for his girlfriend, Blair, and for his best friend from high school, Julian, who is careering into hustling and heroin. Clay's holiday turns into a dizzying spiral of desperation that takes him through the relentless parties in glitzy mansions, seedy bars, and underground rock clubs and also into the seamy world of L.A. after dark.

Set at a small affluent liberal-arts college in New England eighties, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future—or even the present—who become entangled in a curious romantic triangle. Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives. The Rules of Attraction is a poignant, hilarious take on the death of romance.

From the New York Times bestselling author of American Psycho and Less Than Zero comes a nihilistic novel set in the early eighties that portrays a chilling descent into the abyss beneath L.A.'s gorgeous surfaces.

This time is the early eighties. The characters go to the same schools and eat at the same restaurants. Their voices enfold us as seamlessly as those of DJs heard over a car radio. They have sex with the same boys and girls and buy from the same dealers. In short, they are connected in the only way people can be in that city. Dirk sees his best friend killed in a desert car wreck, then rifles through his pockets for a last joint before the ambulance comes. Cheryl, a wannabe newscaster, chides her future stepdaughter, “You're tan but you don't look happy.” Jamie is a clubland carnivore with a taste for human blood.

Look for Bret Easton Ellis’s new novel, The Shards!

Patrick Bateman is twenty-six and he works on Wall Street. He is handsome, sophisticated, charming, and intelligent. He is also a psychopath. American Psycho takes us on a head-on collision with America's greatest dream—and its worst nightmare. It is a bleak, bitter, black comedy about a world we all recognize but do not wish to confront.

Through the eyes of Bateman, the novel explores the incomprehensible depths of madness and captures the insanity of violence in our time or any other. As Bateman moves among the young and trendy in 1980s Manhattan, his outward success conceals a soul preoccupied with torture and murder, prefiguring an apocalyptic horror that no society could bear to confront.

Fried Green Tomatoes at the Whistle Stop Cafe is the story of two women in the 1980s: gray-headed Mrs. Threadgoode telling her life story to Evelyn, who is in the sad slump of middle age. The tale she tells is also of two women—of the irrepressibly daredevilish tomboy Idgie and her friend Ruth, who back in the thirties ran a little place in Whistle Stop, Alabama.

This Southern kind of Cafe Wobegon offered good barbecue and good coffee and all kinds of love and laughter, even an occasional murder. As the story unfolds, readers are transported to a time and place where the past's warmth colors the present.