From one of the most beloved and bestselling authors in the English language, comes a vivid, nostalgic, and utterly hilarious memoir of growing up in the 1950s. Bill Bryson was born in the middle of the American century—1951—in the middle of the United States—Des Moines, Iowa—in the middle of the largest generation in American history—the baby boomers. As one of the best and funniest writers alive, he is perfectly positioned to mine his memories of a totally all-American childhood for 24-carat memoir gold.

Like millions of his generational peers, Bill Bryson grew up with a rich fantasy life as a superhero. In his case, he ran around his house and neighborhood with an old football jersey with a thunderbolt on it and a towel about his neck that served as his cape, leaping tall buildings in a single bound and vanquishing awful evildoers (and morons)—in his head—as "The Thunderbolt Kid." Using this persona as a springboard, Bill Bryson re-creates the life of his family and his native city in the 1950s in all its transcendent normality—a life at once completely familiar to us all and as far away and unreachable as another galaxy.

It was, he reminds us, a happy time, when automobiles and televisions and appliances (not to mention nuclear weapons) grew larger and more numerous with each passing year, and DDT, cigarettes, and the fallout from atmospheric testing were considered harmless or even good for you. He brings us into the life of his loving but eccentric family, including affectionate portraits of his father, a gifted sportswriter for the local paper and dedicated practitioner of isometric exercises, and of his mother, whose job as the home furnishing editor for the same paper left her little time for practicing the domestic arts at home.

Warm and laugh-out-loud funny, and full of his inimitable, pitch-perfect observations, The Life and Times of the Thunderbolt Kid is as wondrous a book as Bill Bryson has ever written. It will enchant anyone who has ever been young.

Patricia Highsmith's story of romantic obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952, the book soon became a cult classic.

Based on a true story from Highsmith's own life, Carol tells the riveting drama of Therese Belivet, a stage designer trapped in a department-store day job. Her routine is forever shattered by a gorgeous epiphany—the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to gravitate toward the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job.

They fall in love and set out across the United States, ensnared by society's confines and the imminent disapproval of others, yet propelled by their infatuation. Carol is a brilliantly written story that may surprise Highsmith fans and will delight those discovering her work.

One of the best-loved of Nabokov’s novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian émigré precariously employed on an American college campus in the 1950s.

Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator. Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him.

Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader’s deepest protective instinct.

Jack Kerouac, one of the great voices of the Beat generation and author of the classic On the Road, here continues his peregrinations in postwar, underground San Francisco.

The subterraneans come alive at night, travel along dark alleyways, and live in a world filled with paint, poetry, music, smoke, and sex. Simmering in the center of it all is the brief affair between Leo Percepied, a writer, and Mardou Fox, a black woman ten years younger.

Just at the moment when she is coolly leaving him, Leo realizes his passion for passion, his inability to function without it, and the puzzling futility of seeking redemption and fulfillment through writing.