Hopscotch is a novel by Julio Cortazar, translated by Gregory Rabassa, that revolutionized the narrative structure with its non-linear approach. The story follows Horacio Oliveira, an Argentinian writer living in Paris with his mistress, La Maga, amid a group of bohemian friends known as "the Club." After a series of personal tragedies, Oliveira returns to Buenos Aires, where his life takes a series of unexpected turns as he takes on various odd jobs.

The novel is famous for its unique structure, allowing readers to navigate through its chapters in a non-conventional order. This innovative layout mirrors the book’s thematic exploration of life's complexity and the search for meaning. Cortazar drew inspiration from a variety of sources, including Henry Miller's quest for truth, Daisetz Teitaro Suzuki's Zen Buddhism teachings, and the aesthetics of Modernist writers like Joyce. Additionally, the novel reflects influences from Surrealism, the French New Novel, jazz music, and New Wave Cinema.

Gregory Rabassa's translation of Hopscotch won the National Book Award in 1966, marking a significant moment for the recognition of translation in literature. Cortazar's approval of Rabassa's work led to the translator's collaboration with Gabriel García Márquez on One Hundred Years of Solitude, further cementing Rabassa's reputation as a master translator.

El amor turbulento de Oliveira y La Maga, los amigos del Club de la Serpiente, las caminatas por París en busca del cielo y el infierno, tienen su reverso en la aventura simétrica de Oliveira, Talita y Traveler en un Buenos Aires teñido por el recuerdo.

La aparición de Rayuela en 1963 fue una verdadera revolución dentro de la novelística en lengua castellana: por primera vez, un escritor llevaba hasta las últimas consecuencias la voluntad de transgredir el orden tradicional de una historia y el lenguaje para contarla.

El resultado es este libro único, abierto a multiples lecturas, lleno de humor, de riesgo y de una originalidad sin precedentes.

One Flew Over the Cuckoo's Nest is a novel that epitomizes the spirit of the sixties. Ken Kesey's extraordinary first novel is an exuberant, ribald, and devastatingly honest portrayal of the boundaries between sanity and madness.

Tyrannical Nurse Ratched rules her ward in an Oregon State mental hospital with a strict and unbending routine, unopposed by her patients, who remain cowed by mind-numbing medication and the threat of electroshock therapy. But her regime is disrupted by the arrival of McMurphy—the swaggering, fun-loving trickster with a devilish grin who resolves to oppose her rules on behalf of his fellow inmates. His struggle is seen through the eyes of Chief Bromden, a seemingly mute half-Indian patient who understands McMurphy's heroic attempt to do battle with the powers that keep them imprisoned.

To Kill a Mockingbird is a timeless classic that delves into the heart of a sleepy Southern town, exposing the moral dilemmas that shake its foundation. First published in 1960 and awarded the Pulitzer Prize in 1961, Harper Lee's novel captures the essence of innocence and experience, kindness and cruelty, love and hatred, humor and pathos.

This compelling narrative is told through the eyes of a young girl named Scout, whose father, Atticus Finch, is a lawyer tasked with defending a black man unjustly accused of a terrible crime. Set against the backdrop of the mid-1930s Depression in Alabama, the story is a profound commentary on the virulent prejudice that plagues the town. Atticus's quiet heroism and the events that unfold challenge the conscience of a community steeped in hypocrisy and violence.

Lee herself described the book as a simple love story, yet it resonates with readers as much more—a reflection on human behavior and societal norms.

Guy Montag is a fireman. His job is to burn books, which are forbidden, being the source of all discord and unhappiness. Even so, Montag is unhappy; there is discord in his marriage. Are books hidden in his house? The Mechanical Hound of the Fire Department, armed with a lethal hypodermic, escorted by helicopters, is ready to track down those dissidents who defy society to preserve and read books.

The classic dystopian novel of a post-literate future, Fahrenheit 451 stands alongside Orwell’s 1984 and Huxley’s Brave New World as a prophetic account of Western civilization’s enslavement by the media, drugs and conformity.

Bradbury’s powerful and poetic prose combines with uncanny insight into the potential of technology to create a novel which, decades on from first publication, still has the power to dazzle and shock.

La casa de Bernarda Alba es la obra teatral más conocida de Federico Garcíaa Lorca. Escrita en 1936, no pudo ser estrenada ni publicada hasta 1945, en Buenos Aires y gracias a la iniciativa de Margarita Xirgu. La obra expone la historia de Bernarda Alba, quien tras haber enviudado por segunda vez a los 60 años, decide vivir los siguientes ocho años en el más riguroso luto.

Con Bernarda viven sus cinco hijas (Angustias, Magdalena, Amelia, Martirio y Adela), su madre y sus dos criadas. La obra, de gran belleza lírica y fuerza dramática, describe la España profunda de principios del siglo XX, caracterizada por una sociedad tradicional en la que el papel que la mujer jugaba era muy secundario. Lorca destaca por su capacidad de aunar la tradición y la vanguardia, presentando temas, personajes y géneros de la tradición teatral desde inusitadas perspectivas y filtrándolos por el tamiz de unas modernas técnicas expresivas.

Aldous Huxley's profoundly important classic of world literature, Brave New World is a searching vision of an unequal, technologically-advanced future where humans are genetically bred, socially indoctrinated, and pharmaceutically anesthetized to passively uphold an authoritarian ruling order–all at the cost of our freedom, full humanity, and perhaps also our souls. “A genius [who] spent his life decrying the onward march of the Machine” (The New Yorker), Huxley was a man of incomparable talents: equally an artist, a spiritual seeker, and one of history's keenest observers of human nature and civilization.

Brave New World, his masterpiece, has enthralled and terrified millions of readers, and retains its urgent relevance to this day as both a warning to be heeded as we head into tomorrow and as thought-provoking, satisfying work of literature. Written in the shadow of the rise of fascism during the 1930s, Brave New World also speaks to a 21st-century world dominated by mass-entertainment, technology, medicine and pharmaceuticals, the arts of persuasion, and the hidden influence of elites.

“Aldous Huxley is the greatest 20th century writer in English.” —Chicago Tribune

Un mundo feliz es un clásico de la literatura del siglo XX, una sombría metáfora sobre el futuro. La novela describe un mundo en el que finalmente se han cumplido los peores vaticinios: triunfan los dioses del consumo y la comodidad y el orbe se organiza en diez zonas en apariencia seguras y estables. Sin embargo, este mundo ha sacrificado valores humanos esenciales, y sus habitantes son procreados in vitro a imagen y semejanza de una cadena de montaje.

En 1928 a Virginia Woolf le propusieron dar una serie de charlas sobre el tema de la mujer y la novela. Lejos de cualquier dogmatismo o presunción, planteó la cuestión desde un punto de vista realista, valiente y muy particular. Una pregunta: ¿qué necesitan las mujeres para escribir buenas novelas? Una sola respuesta: independencia económica y personal, es decir, Una habitación propia. Sólo hacía nueve años que se le había concedido el voto a la mujer y aún quedaba mucho camino por recorrer.

Son muchos los repliegues psicológicos y sociales implicados en este ensayo de tan inteligente exposición; fascinantes los matices históricos que hacen que el tema de la condición femenina y la enajenación de la mujer en la sociedad no haya perdido ni un ápice de actualidad.

Partiendo de un tratamiento directo y empleando un lenguaje afilado, irónico e incisivo, Virginia Woolf narra una parábola cautivadora para ilustrar sus opiniones. Un relato de lectura apasionante, la contribución de una exquisita narradora al siempre polémico asunto del feminismo desde una perspectiva inevitablemente literaria.

Pertenece Echeverría al llamado grupo intelectual de 1837, que sentó las bases de la incipiente sociedad argentina. El éxito y la gran acogida de "La cautiva" se debe a que es una obra comprometida con el medio social en el que surge y cuya renovación formal intenta adecuarse a la realidad que describe. "El matadero" se anticipa en cierto modo a su época y desarrolla líneas que seguirá después la literatura argentina.