Cooper says, "I present the actual act of evil so it's visible and give it a bunch of facets so that you can actually look at it and experience it. You're seduced into dealing with it. ... So with Frisk, whatever pleasure you got out of making a picture in your mind based on ... those people being murdered, you take responsibility for it." In unsparingly confessional mode, Cooper leads the reader into a confrontation with what they get out of fantasized scenes of violence. A brilliant novel -- not a genre horror work but, rather, a critique of the power of genre.