Murderbot—the sardonic, almost-homicidal, media-loving android created by Martha Wells—has proven to be one of the most popular characters in 21 st century science fiction. Everything that makes this protagonist (it would be wrong to call Murderbot a hero) beloved of fans is on display in Compulsory.

While trying to watch episode 44 of The Rise and Fall of Sanctuary Moon, Murderbot is—again, what is it with humans?—distracted by something that is technically outside its purview. A miner is suddenly in danger following a pointless (to Murderbot’s way of thinking) argument, and the choice is to risk discovery and leap into action, which would require hitting the pause button during a very exciting part of SanctuaryMoon, or to follow orders and stay still.

This is a tougher choice than it seems. But then, when has Murderbot ever been faced with an easy choice?

Lara has only one thought for her husband on their wedding day: I will bring your kingdom to its knees. Trained from childhood to be a lethal spy, she knows that the Bridge Kingdom represents both legendary evil and promise. It controls all trade and travel between lands, enriching its ruler and depriving his enemies, including Lara's homeland.

When sent as a bride to fulfill a treaty of peace, Lara is prepared to do whatever it takes to fracture the defenses of the impenetrable Bridge Kingdom. But as she infiltrates her new home and comes to know her new husband, Aren, she begins to question where the true evil resides. She sees a kingdom fighting for survival and in Aren, a man fiercely protective of his people. As her mission drives her to deeper understanding, Lara finds the attraction between her and Aren impossible to ignore.

Her goal nearly within reach, Lara must decide her own fate: Will she be the destroyer of a king or the savior of her people? The Bridge Kingdom is a tale of seduction, war, and the fierce passion that comes with the struggle for power.

Ayesha at Last is a modern-day retelling of Pride and Prejudice, set in a Muslim community, for a new generation of love. Ayesha Shamsi has her life filled with various challenges. Her aspiration to become a poet has been shelved for a teaching occupation to settle debts owed to her affluent uncle. She resides with her lively Muslim household and is frequently reminded of her flighty younger cousin, Hafsa, who is on the verge of declining her one hundredth marriage proposal.

Despite Ayesha's solitude, she is adamant against an arranged marriage. However, her world turns upside down when she encounters Khalid. He's as intelligent and handsome as he is traditional and critical. Ayesha finds herself inexplicably drawn to someone who disapproves of her life choices and appears to be from a different era entirely.

Amidst this, a surprise engagement between Khalid and Hafsa is declared, leaving Ayesha caught between her feelings for the forthright Khalid and troubling rumors about his family. Delving into these whispers, she must confront not only the revelations about Khalid but also the truths she uncovers about herself.

In Reclaiming the Discarded, Kathleen M. Millar offers an evocative ethnography of Jardim Gramacho, a sprawling garbage dump on the outskirts of Rio de Janeiro, where roughly two thousand self-employed workers known as catadores collect recyclable materials. While the figure of the scavenger sifting through garbage seems iconic of wageless life today, Millar shows how the work of reclaiming recyclables is more than a survival strategy or an informal labor practice.

Rather, the stories of catadores show how this work is inseparable from conceptions of the good life and from human struggles to realize these visions within precarious conditions of urban poverty. By approaching the work of catadores as highly generative, Millar calls into question the category of informality, common conceptions of garbage, and the continued normativity of wage labor. In so doing, she illuminates how waste lies at the heart of relations of inequality and projects of social transformation.

A groomsman and his last-minute guest are about to discover if a fake date can go the distance in this fun and flirty multicultural romance debut by New York Times bestselling author Jasmine Guillory.

Agreeing to go to a wedding with a guy she gets stuck with in an elevator is something Alexa Monroe wouldn't normally do. But there's something about Drew Nichols that's too hard to resist. On the eve of his ex's wedding festivities, Drew is minus a plus one. Until a power outage strands him with the perfect candidate for a fake girlfriend.

After Alexa and Drew have more fun than they ever thought possible, Drew has to fly back to Los Angeles and his job as a pediatric surgeon, and Alexa heads home to Berkeley, where she's the mayor's chief of staff. Too bad they can't stop thinking about the other. They're just two high-powered professionals on a collision course toward the long distance dating disaster of the century--or closing the gap between what they think they need and what they truly want.