The shocking thing about the girls was how nearly normal they seemed when their mother let them out for the one and only date of their lives. Twenty years on, their enigmatic personalities are embalmed in the memories of the boys who worshipped them and who now recall their shared adolescence: the brassiere draped over a crucifix belonging to the promiscuous Lux; the sisters' breathtaking appearance on the night of the dance; and the sultry, sleepy street across which they watched a family disintegrate and fragile lives disappear.

With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal, and rescue illuminate this book like flashes of heat lightning.

The Wheel of Time turns and Ages come and go, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth returns again.

In the Third Age, an Age of Prophecy, the World and Time themselves hang in the balance. What was, what will be, and what is, may yet fall under the Shadow. The seals of Shayol Ghul are weak now, and the Dark One reaches out. The Shadow is rising to cover humankind. In Tar Valon, Min sees portents of hideous doom. Will the White Tower itself be broken?

In the Two Rivers, the Whitecloaks ride in pursuit of a man with golden eyes, and in pursuit of the Dragon Reborn. In Cantorin, among the Sea Folk, High Lady Suroth plans the return of the Seanchan armies to the mainland. In the Stone of Tear, the Lord Dragon considers his next move. It will be something no one expects, not the Black Ajah, not Tairen nobles, not Aes Sedai, not Egwene or Elayne or Nynaeve. Against the Shadow rising stands the Dragon Reborn...

Under the influence of their charismatic classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality, they slip gradually from obsession to corruption and betrayal, and at last—inexorably—into evil.

Lioness Rampant is the final installment in Tamora Pierce's celebrated Song of the Lioness quartet, which has been honored with the Margaret A. Edwards Award. Alanna of Trebond has achieved her dream of becoming the first female knight errant, but she finds herself at a crossroads, uncertain of what her next step should be. Despite her legendary triumphs in countless battles, Alanna realizes that there might be more she needs beyond the life of a knight errant.

However, Alanna's reflections are put on hold when she faces an impossible challenge. She must secure the Dominion Jewel, a gem of legendary power that can bring great good when wielded by the right hands. But time is of the essence, as the kingdom of Tortall faces grave threats from all sides. Enemies, both powerful and petty, are conspiring to destroy everything and everyone that Alanna holds dear.

As Alanna embarks on this perilous quest, she discovers that her future is indeed as epic as her past, both as a formidable warrior and as a woman forging her own path.

“From now on I’m Alan of Trebond, the younger twin. I’ll be a knight.” Alanna has always craved the adventure and daring allowed only for boys; her twin brother, Thom, yearns to learn the art of magic. So one day they decide to switch places. Disguised as a girl, Thom heads for the convent; Alanna, pretending to be a boy, is on her way to the castle of King Roald to begin her training as a page. But the road to knighthood is not an easy one. As Alanna masters the skills necessary for battle, she must also learn to control her heart and to learn who her enemies are. Filled with swords and sorcery, adventure and intrigue, good and evil, Alanna’s first adventure begins . . .

The Outsiders is about two weeks in the life of a 14-year-old boy. The novel tells the story of Ponyboy Curtis and his struggles with right and wrong in a society in which he believes that he is an outsider. According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser.

Begin your journey into Middle-earth with The Fellowship of the Ring, the first part of J.R.R. Tolkien's epic adventure, The Lord of the Rings. Sauron, the Dark Lord, has gathered to him all the Rings of Power—the means by which he intends to rule Middle-earth. All he lacks in his plans for dominion is the One Ring—the ring that rules them all—which has fallen into the hands of the hobbit, Bilbo Baggins.

In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.

Foundation and Empire is the second novel in Isaac Asimov's classic science-fiction masterpiece, the Foundation series. The epic saga continues as the Foundation, led by its founding father, the psychohistorian Hari Seldon, and utilizing superior science and technology, has survived the greed and barbarism of its neighboring warrior-planets.

Now the Foundation faces a new challenge. The Empire, once the mightiest force in the Galaxy, is in its death throes, yet it remains a significant threat. An ambitious general, intent on restoring the Empire's glory, directs the Imperial fleet towards the Foundation, placing the planet of scholars and scientists in peril.

The situation becomes even more dire with the appearance of a mysterious entity known as the Mule, who possesses powers beyond anything previously known to humanity. The Mule's capabilities are beyond human comprehension, and it remains unclear who—or what—the Mule truly is. As the darkness threatens to overwhelm the light, the courage of a few may be all that stands between humanity and annihilation.

With nail-biting suspense and nonstop action, Foundation and Empire explores humanity's perpetual struggle against the forces of chaos and the brave efforts to maintain enlightenment and civilization amidst the vast and tumultuous sea of stars.

Second Foundation is the third book in Isaac Asimov's classic science-fiction masterpiece, the Foundation series. The novel narrates the story of a secretly developed Second Foundation, which exists to protect the first from the threats of a deadly mutant and a corrupt First Foundation seeking control of the galactic empire.

The fate of the Foundation rests upon young Arkady Darell, a fourteen-year-old girl burdened with a terrible secret. As the scientists prepare for a final showdown with the Mule, the survivors of the First Foundation embark on a desperate search. They, too, wish to find and destroy the Second Foundation before it has the chance to destroy them.

Unforgettable and thought-provoking, Second Foundation is a tale of adventure and ideas that spans the Galaxy. It is a powerful narrative about humankind's struggle to preserve the fragile light of wisdom against the threat of its own dark barbarism.

The first novel in Isaac Asimov's classic science-fiction masterpiece, the Foundation series—For twelve thousand years the Galactic Empire has ruled supreme. Now it is dying. But only Hari Seldon, creator of the revolutionary science of psychohistory, can see into the future—to a dark age of ignorance, barbarism, and warfare that will last thirty thousand years.

To preserve knowledge and save humankind, Seldon gathers the best minds in the Empire—both scientists and scholars—and brings them to a bleak planet at the edge of the galaxy to serve as a beacon of hope for future generations. He calls his sanctuary the Foundation.

The Foundation novels of Isaac Asimov are among the most influential in the history of science fiction, celebrated for their unique blend of breathtaking action, daring ideas, and extensive worldbuilding. In Foundation, Asimov has written a timely and timeless novel of the best—and worst—that lies in humanity, and the power of even a few courageous souls to shine a light in a universe of darkness.

Breve e intensa novela publicada en 1948, este logrado fruto de la denominada "literatura existencial" le dio a su autor un reconocimiento que traspasó las fronteras nacionales. El túnel es la mejor introducción al universo prodigioso de Ernesto Sábato; un clásico de las letras del continente, una historia sobre el drama del hombre arrojado en el sinsentido más doloroso: la conciencia de la nada.
El narrador describe una historia de amor y muerte en la que muestra la soledad del individuo contemporáneo. No están ausentes de esta trama policial y de suspenso, la locura y la increíble reflexión del protagonista, el pintor Juan Pablo Castel, debatiéndose por comprender las causas que lo arrastraron a matar a la mujer que amaba, María Iribarne, y que era su única vía de salvación. En este alucinante drama de la vida interior, seres intrincados en la bestial búsqueda de comprensión ceden a la mentira, la hipocresía y los celos desmedidos hasta el crimen más inexplicable. Aventura amorosa, aventura onírica, aventura del ser que dan testimonio de un asesinato, de cierta memoria culpable y de una valiente introspección.
Técnicamente perfecta y de lectura apasionante, El túnel excede el negativismo ácido de Sartre y la frenética huida hacia el vacío que plantea El extranjero de Camus, pero tiene de esos dos maestros literarios la impronta genial que hace de la escritura una radiografía del alma atormentada.

Animal Farm is a brilliant political satire and a powerful and affecting story of revolutions and idealism, power, and corruption. 'All animals are equal. But some animals are more equal than others.' Mr. Jones of Manor Farm is so lazy and drunken that one day he forgets to feed his livestock. The ensuing rebellion under the leadership of the pigs Napoleon and Snowball leads to the animals taking over the farm.

Vowing to eliminate the terrible inequities of the farmyard, the renamed Animal Farm is organised to benefit all who walk on four legs. But as time passes, the ideals of the rebellion are corrupted, then forgotten. And something new and unexpected emerges—a razor-edged fairy tale for grown-ups that records the evolution from revolution against tyranny to a totalitarianism just as terrible.

When Animal Farm was first published, Stalinist Russia was seen as its target. Today it is devastatingly clear that wherever and whenever freedom is attacked, under whatever banner, the cutting clarity and savage comedy of George Orwell's masterpiece have a meaning and message still ferociously fresh.

El juguete rabioso es la primera novela del escritor Roberto Arlt –marcadamente autobiográfica– publicada en el año 1926 por la Editorial Latina. Sus manuscritos datan de la década de 1920 y fueron bosquejados por Arlt en las argentinas Sierras de Córdoba, en una época en la cual su mujer, Carmen, atacada por una complicada tuberculosis, debe instalarse en esas geografías para intentar una difícil mejoría.

Arlt, en tanto acompaña a su esposa e invierte una considerable suma de dinero en negocios que no fructifican, hace nacer a El Juguete Rabioso.

Oscar Wilde's only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. In this celebrated work, Wilde forged a devastating portrait of the effects of evil and debauchery on a young aesthete in late-19th-century England.

Combining elements of the Gothic horror novel and decadent French fiction, the book centers on a striking premise: As Dorian Gray sinks into a life of crime and gross sensuality, his body retains perfect youth and vigor while his recently painted portrait grows day by day into a hideous record of evil, which he must keep hidden from the world.

For over a century, this mesmerizing tale of horror and suspense has enjoyed wide popularity. It ranks as one of Wilde's most important creations and among the classic achievements of its kind.

Anna Karenina is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin, a reflection of Tolstoy himself, often expresses the author's own views and convictions.

Set against a vast and richly textured canvas of nineteenth-century Russia, the novel explores the complex interplay between love, family happiness, and the societal constraints that exist within the dynamics of city and country life. As the story unfolds, Anna's ill-fated affair with Vronsky leads to a life-altering crisis, while Levin's journey takes on a deeper philosophical significance.

The novel's seven major characters create a dynamic imbalance, exploring the variations on love and the search for happiness. Tolstoy's powerful narrative invites readers not to judge but to watch, presenting a panorama of humanity in all its flawed beauty.

Louisa May Alcott's classic tale of four sisters.

Grown-up Meg, tomboyish Jo, timid Beth, and precocious Amy. The four March sisters couldn't be more different. But with their father away at war, and their mother working to support the family, they have to rely on one another. Whether they're putting on a play, forming a secret society, or celebrating Christmas, there's one thing they can't help wondering: Will Father return home safely?

It is no secret that Alcott based Little Women on her own early life. While her father, the freethinking reformer and abolitionist Bronson Alcott, hobnobbed with such eminent male authors as Emerson, Thoreau, and Hawthorne, Louisa supported herself and her sisters with "woman’s work,” including sewing, doing laundry, and acting as a domestic servant. But she soon discovered she could make more money writing. Little Women brought her lasting fame and fortune, and far from being the "girl’s book” her publisher requested, it explores such timeless themes as love and death, war and peace, the conflict between personal ambition and family responsibilities, and the clash of cultures between Europe and America.

'It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.' Thus memorably begins Jane Austen's Pride and Prejudice, one of the world's most popular novels.

Pride and Prejudice is an 1813 novel of manners written by Jane Austen. The novel follows the character development of Elizabeth Bennet, the dynamic protagonist of the book who learns about the repercussions of hasty judgments and comes to appreciate the difference between superficial goodness and actual goodness.

Mr. Bennet, owner of the Longbourn estate in Hertfordshire, has five daughters, but his property is entailed and can only be passed to a male heir. His wife also lacks an inheritance, so his family faces becoming very poor upon his death. Thus, it is imperative that at least one of the girls marry well to support the others, which is a motivation that drives the plot.

Twelfth Night, named for the twelfth night after Christmas, marks the end of the festive season and sets the stage for a romantic comedy of love and power. The play introduces us to the Countess Olivia, an independent woman in charge of her own household, who captures the attention of Duke Orsino. Her other suitors include her pompous steward, Malvolio, and the foppish Sir Andrew Aguecheek.

Amidst this tangled web of unrequited love arrives the shipwrecked twins, Viola and Sebastian, each believing the other to be dead. Viola, disguised as a boy, enters the service of the Duke, becoming his emissary to Olivia—and unexpectedly becoming the object of Olivia's affection. As the story unfolds, the play delves into the complexity of love and the joyful resolution of mistaken identities and romantic entanglements.