Ésta es la profecía de Quetzalcóatl, su revelación, nuestro destino. El 13 de agosto de 1521 cayó Tenochtitlán en manos de decenas de miles de guerreros de diversos pueblos y ciudades del Anáhuac. Los herederos de los toltecas se liberaron del terrible yugo de los hijos de Huitzilopochtli, con el inesperado pero indispensable apoyo de un puñado de aventureros castellanos. Una era llegó a su fin y, como siempre ocurre en la historia humana, una nueva comenzó a nacer. Descendió la noche sobre el Pueblo del Sol e inició el amanecer de un México que no ha sabido salir de las tinieblas.

El regreso de Quetzalcóatl es un recorrido que abarca a toda la humanidad, y que pasa de la historia a la filosofía, de la psicología a la religión, y de ahí al misticismo para volver a la historia. Va de Teotihuacán a Roma, del mundo maya al valle del Nilo, de Mesoamérica a la India, de la toltequidad a la filosofía griega, y ante todo del pasado que debemos superar al presente en el que tenemos una última oportunidad para tratar de vislumbrar el futuro. Si descifras a Quetzalcóatl podrás salvar a México de hundirse en su inframundo.

The Dawn of Everything by David Graeber and David Wengrow presents a groundbreaking account of human history, challenging established notions about social evolution—from the development of agriculture and cities to the emergence of the state, political violence, and social inequality. The book reveals new perspectives on human emancipation and the history of civilization itself.

The authors, renowned for their respective fields in activism, public intellectualism, and comparative archaeology, delve into the origins of theories that have shaped our understanding of humanity's past. They question the portrayal of remote ancestors as either innocent and equal or aggressive and warlike, and they explore the implications of these characterizations for today's society.

Graeber and Wengrow draw on extensive research in archaeology and anthropology to challenge the conventional wisdom about human history. They invite readers to consider what humans were doing throughout evolutionary history if not living in small hunter-gatherer bands, and what kinds of social and economic organization arose from agriculture and urban development if not hierarchy and domination.

The Dawn of Everything not only transforms our understanding of the human past but also offers a path toward imagining new forms of freedom and ways of organizing society. This monumental book is a testament to intellectual range, curiosity, moral vision, and the power of direct action.

Bound together by a single ancient text, these tales interweave to form a tapestry of solace and resilience and a celebration of storytelling itself. Like its predecessor All the Light We Cannot See, Anthony Doerr’s new novel is a tale of hope and of profound human connection.

Constantinople, 1453:
An orphaned seamstress and a cursed boy with a love for animals risk everything on opposite sides of a city wall to protect the people they love.

Idaho, 2020:
An impoverished, idealistic kid seeks revenge on a world that’s crumbling around him. Can he go through with it when a gentle old man stands between him and his plans?

Unknown, Sometime in the Future:
With her tiny community in peril, Konstance is the last hope for the human race. To find a way forward, she must look to the oldest stories of all for guidance.

Praying to the West: How Muslims Shaped the Americas is an insightful and perspective-shifting journey by celebrated journalist Omar Mouallem. In the book, Mouallem explores his personal connection with Islam, delving into its influence on his values, politics, and heritage. Having grown up in a Muslim household, he later adopted atheism and used his voice to critique organized religion. However, as a father, Mouallem is confronted with the challenges his children may face due to their heritage in an increasingly nativist Western world.

Mouallem embarks on a quest to uncover the untold history of Islam across the Americas, visiting thirteen unique mosques from California to Quebec, and Brazil to Canada's icy north. Through his travels, he encounters diverse Muslim communities, each providing varied perspectives on what it means to be Muslim in the Americas. This exploration reveals the significant role Islam has played in shaping the continent, influencing everything from industrialization to political shifts.

Ultimately, Praying to the West uncovers a hidden narrative of home and belonging. It highlights the ongoing struggle for acceptance in towns and cities across the Americas, advocating for a more inclusive future for all.

Os Maias é uma das obras mais conhecidas do escritor português Eça de Queiroz. O livro foi publicado no Porto em 1888. A ação de Os Maias passa-se em Lisboa, na segunda metade do século XIX, e apresenta-nos a história de três gerações da família Maia. A ação inicia-se no Outono de 1875, quando Afonso da Maia, nobre e pobre proprietário, se instala no Ramalhete com o neto recém formado em Medicina. Neste momento faz-se uma longa descrição da casa - "O Ramalhete," cujo nome tem origem num painel de azulejos com um ramo de girassóis, e não em algo fresco ou campestre, tal como o nome nos remete a pensar.

Afonso da Maia era o personagem mais simpático do romance e aquele que o autor mais valorizou, pois não se lhe conhecem defeitos. É um homem de carácter, culto e requintado nos gostos. Em jovem aderiu aos ideais do Liberalismo e foi obrigado, por seu pai, a sair de casa e a instalar-se em Inglaterra. Após o pai falecer regressa a Lisboa para casar com Maria Eduarda Runa, mas pouco tempo depois escolhe o exílio por razões de ordem política.

Há em Os Maias um retrato da Lisboa da época. Carlos, que mora na Rua das Janelas Verdes, caminha com frequência até ao Rossio (embora, por vezes, vá a cavalo ou de carruagem). Algumas das lojas citadas no livro ainda existem - a Casa Havaneza, no Chiado, por exemplo. É possível seguir os diferentes percursos de Carlos ou do Ega pelas suas da Baixa lisboeta, ainda que algumas tenham mudado de nome. No final do livro, quando Carlos volta a Lisboa muitos anos depois, somos levados a ver as novidades - a Avenida da Liberdade, que substituiu o Passeio Público, e que é descrita como uma coisa nova, e feia pela sua novidade, exactamente como nos anos 70 se falava das casas de emigrante.

O romance veicula sobre o país uma perspectiva muito derrotista, muito pessimista. Tirando a natureza (o Tejo, Sintra, Santa Olávia...), é tudo uma choldra ignóbil. Predomina uma visão de estrangeirado, de quem só valoriza as civilizações superiores - da França e Inglaterra, principalmente. Os políticos são mesquinhos, ignorantes ou corruptos; os homens das Letras são boémios e dissolutos, retrógrados ou distantes da realidade concreta; os jornalistas boémios e venais; os homens do desporto não conseguem organizar uma corrida de cavalos, pois não há hipódromo à altura, nem cavalos, nem cavaleiros, as pessoas não vestem como o evento exigia, as senhoras traziam vestidos de missa. Para cúmulo de tudo isto, os protagonistas acabam vencidos da vida. Apesar de ser isto referido no fim do livro, pode-se ver que ainda há alguma esperança implícita, nas passagens em que Carlos da Maia e João da Ega dizem que o apetite humano é a causa de todos os seus problemas e que portanto nunca mais terão apetites, mas logo a seguir dizem que lhes está a apetecer um prato de paio com ervilhas, ou quando dizem que a pressa não leva a nada e que a vida deve ser levada com calma mas começam a correr para apanhar o americano (eléctrico). Mais do que crítica de costumes, o romance mostra-nos um país - sobretudo Lisboa - que se dissolve, incapaz de se regenerar. Quando o autor escreve mais tarde A Cidade e as Serras, expõe uma atitude muito mais construtiva: o protagonista regenera-se pela descoberta das raízes rurais ancestrais não atingidas pela degradação da civilização, num movimento inverso ao que predomina n'Os Maias.

The Personal Librarian reveals the remarkable, little-known story of Belle da Costa Greene, J. P. Morgan's personal librarian—who became one of the most powerful women in New York despite the dangerous secret she kept in order to make her dreams come true.

In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture on the New York society scene and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps build a world-class collection.

But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle's complexion isn't dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American.

The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths to which she must go—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.

Corbin College, not quite upstate New York, winter 1959–1960: Ruben Blum, a Jewish historian—but not an historian of the Jews—is co-opted onto a hiring committee to review the application of an exiled Israeli scholar specializing in the Spanish Inquisition. When Benzion Netanyahu shows up for an interview, family unexpectedly in tow, Blum plays the reluctant host to guests who proceed to lay waste to his American complacencies.

Mixing fiction with nonfiction, the campus novel with the lecture, The Netanyahus is a wildly inventive, genre-bending comedy of blending, identity, and politics that finds Joshua Cohen at the height of his powers.

From the #1 New York Times bestselling author of The Flight Attendant, the enthralling story of a young Puritan woman who marries the wrong man and soon finds herself caught up in the violence and hysteria of the Salem Witch Trials.

Boston, 1662. Mary Deerfield is twenty-four years old. Her skin is porcelain, her eyes delft blue, and in England she might have had many suitors. But here in the New World, amid this community of saints, Mary is the second wife of Thomas Deerfield, a man as cruel as he is powerful. When Thomas, prone to drunken rage, drives a three-tined fork into the back of Mary's hand, she resolves that she must divorce him to save her life. But in a world where every neighbor is watching for signs of the devil, a woman like Mary--a woman who harbors secret desires and finds it difficult to tolerate the brazen hypocrisy of so many men in the colony--soon finds herself the object of suspicion and rumor.

When tainted objects are discovered buried in Mary's garden, when a boy she has treated with herbs and simples dies, and when their servant girl runs screaming in fright from her home, Mary must fight to not only escape her marriage, but also the gallows. A twisting, tightly plotted thriller from one of our greatest storytellers, Hour of the Witch is a timely and terrifying novel of socially sanctioned brutality and the original American witch hunt.

The Arsonists' City delivers all the pleasures of a good old-fashioned saga. In Alyan's hands, one family's tale becomes the story of not just a nation--Lebanon and Syria--but also the United States. It's a rich family story that gives a personal look at the legacy of war in the Middle East and an indelible rendering of how we hold on to the people and places we call home.

The Nasr family is spread across the globe--Beirut, Brooklyn, Austin, the California desert. With a Syrian mother, a Lebanese father, and three American children, they have all lived a life of migration. Yet, they've always had their ancestral home in Beirut--a constant touchstone--and the complicated, messy family love that binds them. However, following his father's recent death, Idris, the new patriarch, has decided to sell. This decision brings the family to Beirut, where they unite against Idris in a fight to save the house. They all have secrets--lost loves, bitter jealousies, abandoned passions, deep-set shame--that distance has helped smother. But in a city smoldering with the legacy of war, an ongoing flow of refugees, religious tension, and political protest, these secrets ignite, imperiling the fragile ties that hold the family together.

In a novel teeming with wisdom, warmth, and remarkable human insight, award-winning author Hala Alyan shows us that fiction often provides the best filter for the real world around us.

Heather McGhee's specialty is the American economy—and the mystery of why it so often fails the American public. From the financial crisis to rising student debt to collapsing public infrastructure, she found a common root problem: racism. But not just in the most obvious indignities for people of color. Racism has costs for white people, too. It is the common denominator of our most vexing public problems, the core dysfunction of our democracy and constitutive of the spiritual and moral crises that grip us all. But how did this happen? And is there a way out?

McGhee embarks on a deeply personal journey across the country from Maine to Mississippi to California, tallying what we lose when we buy into the zero-sum paradigm—the idea that progress for some of us must come at the expense of others. Along the way, she meets white people who confide in her about losing their homes, their dreams, and their shot at better jobs to the toxic mix of American racism and greed. This is the story of how public goods in this country—from parks and pools to functioning schools—have become private luxuries; of how unions collapsed, wages stagnated, and inequality increased; and of how this country, unique among the world's advanced economies, has thwarted universal healthcare.

But in unlikely places of worship and work, McGhee finds proof of what she calls the Solidarity Dividend: gains that come when people come together across race, to accomplish what we simply can't do on our own. McGhee marshals economic and sociological research to paint a story of racism's costs, but at the heart of the book are the humble stories of people yearning to be part of a better America, including white supremacy's collateral victims: white people themselves. With startling empathy, this heartfelt message from a Black woman to a multiracial America leaves us with a new vision for a future in which we finally realize that life can be more than a zero-sum game.

Under a White Sky: The Nature of the Future by Elizabeth Kolbert, the Pulitzer Prize-winning author of The Sixth Extinction, delves into humanity's transformative impact on the environment. Kolbert presents a critical question: After causing extensive damage, can we now alter nature to save it?

Living in the Anthropocene, an era defined by significant human influence on our planet, Kolbert explores the new world we are shaping. She introduces us to scientists working to save the world's rarest fish in the Mojave, engineers in Iceland transforming carbon emissions into stone, Australian researchers developing heat-resistant coral, and physicists considering the use of tiny diamonds to cool the earth by reflecting sunlight.

With human civilization being a millennia-long defiance of nature, Kolbert examines whether our latest interventions, which once imperiled Earth, could now be its only salvation. Under a White Sky offers an original and multifaceted look at the environmental challenges we must confront, characterized by inspiration, terror, and a touch of dark humor.

From The New York Times cybersecurity reporter Nicole Perlroth, This Is How They Tell Me the World Ends reveals the untold story of the cyberweapons market—the most secretive, invisible, government-backed market on earth—and a terrifying first look at a new kind of global warfare.

Zero day: a software bug that allows a hacker to break into your devices and move around undetected. One of the most coveted tools in a spy's arsenal, a zero day has the power to silently spy on your iPhone, dismantle the safety controls at a chemical plant, alter an election, and shut down the electric grid (just ask Ukraine).

For decades, under cover of classification levels and non-disclosure agreements, the United States government became the world's dominant hoarder of zero days. U.S. government agents paid top dollar—first thousands, and later millions of dollars—to hackers willing to sell their lock-picking code and their silence. Then the United States lost control of its hoard and the market. Now those zero days are in the hands of hostile nations and mercenaries who do not care if your vote goes missing, your clean water is contaminated, or our nuclear plants melt down.

Filled with spies, hackers, arms dealers, and a few unsung heroes, written like a thriller and a reference, This Is How They Tell Me the World Ends is an astonishing feat of journalism. Based on years of reporting and hundreds of interviews, Nicole Perlroth lifts the curtain on a market in shadow, revealing the urgent threat faced by us all if we cannot bring the global cyber arms race to heel.