The Book of Laughter and Forgetting is described as a dazzling entertainment that is arousing on every level—political, erotic, intellectual, and above all, humorous. It calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius.

Rich in its stories, characters, and imaginative range, this novel brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than just its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.